Posts Tagged ‘Indigenous art’

The School of Badger – an interview with Rebecca Belmore and Lori Blondeau
The School of Badger – an interview with Rebecca Belmore and Lori Blondeau

The School of Badger was a collaborative performance intervention by Rebecca Belmore, Lori Blondeau and Adrian Stimson.  Jessie Fosty and Tomas Jonsson had the opportunity to sit with Elder Badger (Belmore) and Little Badger (Blondeau) and discuss this provacative performance.  This interview can be heard here: A statement on The School…

An Interview with Tania Willard
An Interview with Tania Willard

I had the opportunity to speak to Tania Willard regarding her time at the O k’inādās residency, and her new work and research, which was presented at a Bush Gallery screening at the end of the residency. Tomas: I thought we could start by getting your reflections on the residency, as…

bodies, words, actions
bodies, words, actions

Taught by Troy Emery Twigg, recently appointed the Artistic Director of Making Treaty 7, The first Indigenous theatre course at UBCO was a 6-week intensive that asked students to engage with Indigenous performance art praxis. The resulting four group collaborations were performed during an open event where artists, scholars, thinkers, organizers,…

Creating a future
Creating a future

  The fifth panel of the O k’inādās residency featured presentations by Charles Campbell, Beth LaPensee, Jackson Two Bears, Srimoyee Mitra and Michelle Lavallee. For this panel a new structure was suggested. Circling back to the guiding precept of O’kinādās of walking on the land, the organizers suggested that instead of…

Personal Territories
Personal Territories

This week we shared the space of a fourth O k’inādās panel discussion with presenters Cathy Mattes, Leah Decter, Keven DeForest, Tannis Nielsen, and moderator Ashok Mathur. To begin this overview we would like to start with a personal reflection. The iterative processes of learning and creating throughout this residency…

Across mediums – a visual response to O k’inādās panel discussions. By: Jessie Fosty
Across mediums – a visual response to O k’inādās panel discussions. By: Jessie Fosty

A cross media response by Jessie Fosty. Jessie Fosty is pursuing a BFA Honours at Brandon University in the Department of Visual and Aboriginal Arts. She works closely with Peter Morin. Her mediums include painting, drawing, and ceramics, and her themes include the impact of residential school and the plight…

THE POWER OF GATHERING – A guest entry by Farheen HaQ
THE POWER OF GATHERING – A guest entry by Farheen HaQ

Last week I travelled from Victoria, Coast Salish territory to Kelowna, Okanagan territory, my car packed with my family along with sculpture and equipment for my upcoming exhibit at the Alternator Gallery. I was cursing having a summer show.  I was bracing myself for the tensions of feeling torn between…

Week 4 In Review
Week 4 In Review

Coming Up This Week The residency continues as many of us reflect over the past weekend and look forward to the coming week. Salmon Canning took place over the weekend and will be distributed towards the final weeks of the residency. This week we welcomed new arrivals, Amish Morrel, Leah…

Olivia Whetung
Olivia Whetung

Olivia Whetung spoke of the changing names framing territory. The Colonial attempts to exploit and disappear bodies. Photos of working bodies were depicted in a book entitled Crafts of the Ojibwa. The bodies were not posed but at work and in motion. Olivia was interested in the stories these hands…

Mark Igloliorte: o k’inādās July 22 panel
Mark Igloliorte: o k’inādās July 22 panel

Mark Igloliorte  spoke of the importance of observation in painting. Photographs depict a fraction of second, life sliced down to moment, whereas in painting hours, days are poured into their construction. In the time that is required to make a painting, the shifting, moving body results in shifts in perspectives. …

Tania Willard: o k’inādās July 22 panel
Tania Willard: o k’inādās July 22 panel

Tania Willard’s Bush Gallery was born out of a desire to create a space that acknowledged diverse bodies and attentions. The logistics in child care is still quite difficult to engage in contemporary art, reflected in design of institutional spaces institutions, for normative, adult bodies.  How these small bodies and…

It starts with breath
It starts with breath

The O k’inādās residency began with an in-the-round introduction of participants, facilitators and guests. Ashok Mathur and Katherine Pickering led an overview to the calendar of events -an evolving, dynamic document- as well as material and networking opportunities. The mix of practical and conceptual orientations hinted at the infinite potential to…

Dion Kaszas and the Earth Line Tattoo Residency – Celebrations
Dion Kaszas and the Earth Line Tattoo Residency – Celebrations

Today, let’s celebrate the work of the Indigenous people and artists on whose land we are visiting. From my conversations this past week I would like to honour the Earth Line Tattoo Collective comprised of a dedicated team of cultural tattoo practitioners and visual artists: Jordan Bennett (Mi’kmaq), Dion Kaszas…

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